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Grato & Gratimo Classic fonts from TypeMates - (vvwgp)

Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates . Grato & Gratimo Classic The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design. Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury. Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work. With a

Grato & Gratimo Classic fonts from TypeMates - (ryghq)

Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates . Grato & Gratimo Classic The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design. Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury. Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work. With a