Dan Mcnally

Designed by Jeff Levine, Informational Sans JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Informational Sans JNL Featuring condensed, block hand lettering, Informational Sans JNL was modeled from a selection of water applied sign decals once made by the Duro Decal Company of Chicago and is available in both regular and oblique versions. About fifty different small decal signs covered a wide range of general purpose information such as “Open”, Closed”, “Please Pay When Served”, etc. Informational Sans JNL Download Now View Gallery

Designed by David Kerkhoff, Utroligt is a hand display font family. This typeface has two styles and was published by Hanoded . Utroligt I am (trying to) learn Danish using an app on my phone. The grammar and vocabulary are not that difficult, as the Danish language is very close to the Dutch language. The pronunciation, however, is quite tricky. Words look simple when written down, but when pronounced, they sound very different. Take ‘pige’ (‘girl’) - it reads ‘pee-guh’, right? Well, it is pronounced ‘pee-uh’. Or how about ‘brød’ (meaning bread)? If you keep in mind that the o-slash is pronounced as the ‘i’ in bird - almost like ‘uh’, it should be br-uh-d, right? Wrong again. It is pronounced br-uh-l. Aaargghh! I will succeed, hopefully! Utroligt is a Danish word meaning ‘incredible’. It is a nice, uncomplicated all caps font. I made it with a cheap rollerball pen and some nice French paper. Comes with double letter ligatures and all the diacritics you’d like - including th

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Formal Invite JNL The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL Download Now View Gallery

Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts . Boss Jock JNL The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks. Boss Jock JNL is available in both regular and oblique versions. Boss Jock JNL Download Now View Gallery

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Notes Notes Download Now View Gallery

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Afterword JNL At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Download Now View Gallery

Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Bartosh Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal. For all fonts ther